Blond redhead misery


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Blonde Redhead

Blonde Redhead's classical turn makes sense in a performing arts context such as Duke Performances. But Misery Is a Butterfly was a romantic, conceptually thought-through work in its original state; all that was required was the technical means to bring out the full complexity of its musical and lyrical layers. With Shelley acting as producer, their self-titled debut album was released on his label, Smell Like Records. Misery Is a Butterfly, released in , was the first album the band made with a broader listening public in mind. Maki Takahashi joined as a bassist. The alternative—stultifying, nostalgia-fueled cash grabs, self-regarding avant-garde navel gazing, or dispirited deck-chair rearrangement—is simply disheartening. Arriving stateside later in life, their musical ambition and refined songwriting set them apart from their American peers.
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Blonde Redhead - Blonde Redhead - E-ADD.EU Music

Since "art-damaged" post-punk music has moved from the center of alt-music culture now finally sharing space with worthy dance, electronic, folk, and "world" musics , it feels natural for its practitioners to jump into more controlled, curated spaces. The alternative—stultifying, nostalgia-fueled cash grabs, self-regarding avant-garde navel gazing, or dispirited deck-chair rearrangement—is simply disheartening. The result is a cohesive conceptual presentation in which musical and lyrical motifs repeat to present a total vision of how extreme emotional states like love, hate, and trauma sound and feel. On early records like 's La Mia Vita Violenta and 's Fake Can Be Just As Good, the sound could be messy and damaged around the edges, but it was clear that Blonde Redhead was straining for something far different from what their American post-punk peers were after.
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Blonde Redhead

Blond redhead misery



Description: The alternative—stultifying, nostalgia-fueled cash grabs, self-regarding avant-garde navel gazing, or dispirited deck-chair rearrangement—is simply disheartening. No longer in the wheelhouse of youth culture, the tradition has had to swerve in a new direction in order to stay vibrant and relevant. Guy Picciotto from Fugazi assisted in the production of these albums, as well as lending his vocals to "Futurism vs. She required major facial reconstructive surgery and months of convalescence.

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